A couple weeks later, he came by the bar and gave me a flyer to a show he was doing at a flea market. “I could tell he wasn’t in the mood to chat, so I pretty much left him alone except to pass him the mustard when he pulled an onion and a heel of bread out of his pocket. “There was a heaviness about him,” says Geier. The year was 1998 and Puddles had wandered into the Star Community Bar in Atlanta, GA where bartender Big Mike Geier first laid eyes on the sad, silent clown. He motions for a soda water and sits there staring at his drink.
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Read Full Bio A 7-foot clown walks into a bar.
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Setlist: Tommy – Overture It’s a Boy 1921 Amazing Journey Sparks Eyesight to the Blind Christmas Cousin Kevin Acid Queen Do You Think It’s Alright? Fiddle About Pinball Wizard There’s a Doctor Go to the Mirror Tommy Can You Hear Me? Smash the Mirror Sensation Miracle Cure Sally Simpson I’m Free Welcome Tommy’s Holiday Camp We’re Not Gonna Take It. In an evening filled with highlights, the best moment was a potent reading of “Young Man Blues,” which featured Daltrey’s signature microphone twirling and incorporated the Who rarity “Water.” The immortal “Baba O’Riley” concluded a generous set that ran well over two hours. “Eyesight to the Blind” featured a tough blues growl, while “Smash the Mirror” and “Young Man Blues” were as forceful as the original Who recordings. This isn’t to say he doesn’t sing with authority. Improved phrasing and delicate attention to nuance make Daltrey more expressive than ever. After “Tommy” ended, Daltrey paused for a few minutes to introduce the band before plowing into more material.įor the second half, Daltrey wanted to sing some harmonies, so he enlisted the rest of the band to help out on “I Can See For Miles,” “The Kids Are Alright” and a side trip through Americana with “Gimme A Stone” and a Johnny Cash medley.Īlthough Daltrey’s voice isn’t as strong today, in many ways he’s a better vocalist.
The Who singer brought a five piece band, including guitarist Simon Townshend, brother of Who mastermind Pete Townshend, to the Midland on Friday for a trip through “Tommy” and other favorites.The band stuck pretty close to the recorded version of “Tommy,” give or take a few guitar solos and a nice gospel piano intro to “Come to This House.” “Pinball Wizard” finally got the crowd on the floor to their feet, where they stayed for the rest of the night.